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18. 12. 2025
PF 2026
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7. 7. 2025
Interview with the authors of the Identity exhibition – the s...
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27. 5. 2025
Memorandum about the cooperation between the Czech Centre and...
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2. 1. 2025
Bára Zmeková: The songwriter who puzzles narrow-minded critics
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19. 12. 2024
PF 2025
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4. 12. 2024
Beata Hlavenková: the successful musician with a big wish
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3. 12. 2024
80th Prague Spring International Music Festival
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19. 11. 2024
An interview with Itamar Shlomo Cohen about Prague Music Week...
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18. 11. 2024
CLOSED Open call: CYCLE UP! Sustainable Artist-in-Residence P...
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30. 10. 2024
The Made in Prague Festival delivers the best of contemporary...
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29. 10. 2024
Jiří Trtík hailed as the most successful Czech composer of cl...
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25. 10. 2024
Looking Back at the 2024 Night of Literature in Prague
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3. 10. 2024
Flow with it: Floex on his creative method
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25. 9. 2024
Interview with the General Director of the Ukrainian National...
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19. 9. 2024
Photographs from the 18th edition of the popular Night of Lit...
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10. 9. 2024
Chief editor of the Japanese magazine MOSTLY CLASSIC Ichiro F...
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10. 9. 2024
CYCLE UP! Veins of Strain: The pitfalls of Prague’s cycling
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4. 9. 2024
Non-Places of the Cities: Dialogue between Prague and Tbilisi
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28. 8. 2024
Czech Heroines at GLOBSEC
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26. 8. 2024
My dream was big enough to get me there: Pianist Tomáš Kačo o...
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22. 7. 2024
“The best validation is a packed venue”: Lenny on measuring s...
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28. 6. 2024
Bulgarian musicologist Iliya Gramatikoff visited the Prague S...
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26. 6. 2024
Czech Jazz at the Edinburgh Jazz & Blues Festival
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23. 6. 2024
Nikol Bóková: The pianist and composer who wears many hats
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14. 6. 2024
Czech Centre is starting its activities in Taipei with a phot...
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27. 5. 2024
Daniel Matejča on coming into his own and developing his craft
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23. 5. 2024
Czech Prima Donnas at the Met Opera – National Museum of the ...
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22. 5. 2024
Tým Českého centra v Sofii obdržel čestný odznak Zlaté pero z...
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29. 4. 2024
Good things come in 4’s: The Kukal Quartet
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17. 4. 2024
Open Call for Artists based in Czechia
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25. 3. 2024
Art can be uncomfortable – Miroslav Srnka on pushing the boun...
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26. 2. 2024
Meet the mezzo-soprano who wants to contemporize classical mu...
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20. 2. 2024
Smetana's bicentenary
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29. 1. 2024
The electronic music virtuoso who owes his name to Radiohead,...
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27. 1. 2024
Faces of Czech Music – a new podcast by Czech Centres and Rad...
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3. 1. 2024
The 2024 Year of Czech Music abroad will be accompanied by th...
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27. 12. 2023
The Year of Czech Music: Professional Visits and Press Trips
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9. 12. 2023
CLOSED Open Call: Artist-In-Residence
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1. 12. 2023
Minister Lipavský Appoints New Director General of the Czech ...
Written About Us
13. 11. 2023
Jiří Šimáček and Ján Lastomírsky guests at Cairo Comix
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28. 9. 2023
President Petr Pavel and minister Jan Lipavský visited Czech ...
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22. 9. 2023
Literature Night 2023
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10. 8. 2023
Call for Tender
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20. 6. 2023
Czech Centres celebrate its 30th Anniversary
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2. 5. 2023
ArtCzech – your English-language online guide to the Czech cu...
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28. 4. 2023
Annual Video Report 2022
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14. 2. 2023
HIGHWAY MINDWAY: Exhibition of students from the Royal Colleg...
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6. 2. 2023
Newsletter of the Czech Centres – February 2022
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20. 1. 2023
SDGs: Innovations for a Sustainable Future Exhibition at Kamp...
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5. 1. 2023
Havel, Europe and the World – The Václav Havel European Dialo...
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2. 1. 2023
Looking back at the Literature Night 2022 in Prague
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1. 1. 2023
Czech Republic and Czech Centres Celebrating 30 Years of Exis...
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22. 12. 2022
PF 2023
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5. 12. 2022
The Story of the Christmas Tree
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7. 10. 2022
The exhibition SDGs: Innovations for a Sustainable Future at ...
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3. 9. 2022
The Dvořák Prague festival: classical music at its best
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20. 7. 2022
The Opera Europa Conference in the Czech Republic
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13. 7. 2022
Interview with Javier Peña — Ibáñez
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1. 7. 2022
Foreword by the Ministry of Foreign Affairs of the Czech Repu...
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1. 7. 2022
Czech Centres for the Presidency
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